Musik ini mulai masuk ke Indonesia tepatnya di Malaka. Walaupun masa jaya Portugis mulai melemah di Indonesia, musik ini tidak lantas hilang begitu saja. Para budak di Maluku kala itu mulai menyerap musik tersebut dan memainkannya di daerah mereka.

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Singkat cerita, pada tahun 1880 lah musik Keroncong baru benar-benar hadir dan dikenal sebagai identitas musik dari Indonesia.

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precisely the same effort was accomplished by Didi Kempot and Koko Thole who may have presented new colour to “keroncong” music. They manufactured endeavours to unfold “keroncong” music to a wide array of Modern society and likewise establish the music alone.

Even though there here are many new “keroncong” compositions, but The brand new “keroncong” tunes are almost never posted in media.

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music, as a treasure of Indonesian national music, has actually been going through an extended stage For the reason that arrival in the Moorish as Portuguese slaves to Indonesia in the 16th century. inside the extensive period of time, the “keroncong” music then, as different kinds of standard music, has got to experience sector music, Specially Western music.

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Salah satu alasannya adalah karena alat musik yang digunakannya adalah alat musik yang kental kaitannya dengan budaya Indonesia, seperti rebab, suling bambu dan juga set gamelan.

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Akar dari Keroncong ternyata sudah masuk ke Indonesia abad ke-16 dan dibawa oleh para pelaut dan budak kapal dari Portugis.

The emergence of “campursari” within the 1990s, pioneered by Manthous, introduced an influence of desire and have become a magnet for supporters and activists of “keroncong” and conventional music so they recognize the music and plenty of groups of “campursari” music that is rooted from “keroncong” grew.

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